Trends In Economic Botany: The Rising Use Of Herbal Supplements :: Botany

Patterns In Economic Botany: The Rising Use Of Herbal Supplements The utilization of home grown solutions for treat medical issues in people is a convention that goes back numerous hundreds of years. An antecedent to current, Western pharmaceuticals, customary healers utilized herbs to treat a wide scope of sicknesses and sufferings. While many know about their utilization by American Indians, the act of natural treatment goes back to old Chinese and Egyptian healers. Herbs were utilized in antiquated occasions to treat anything from migraines (with willow bark tea, presently a functioning fixing in anti-inflamatory medicine) to fever and premenstrual disorder (with chamomile). During a time of present day pharmaceuticals and their prepared accessibility in Western culture, it is anything but difficult to overlook that roughly 40% of the present current drugs are created with synthetic substances got from plants (Counter 1998). In a pattern inversion that has the cutting edge clinical network frightened and perplexed, the deals of home grown cures in the Untied States has expanded drastically. Customarily, Europe has been the biggest market for natural cures, representing 45% or $7.5 billion in deals for 1997 (Scimone and Scimone 1998). Inside Europe, Germany rules the market with deals of $3.6 billion, trailed by France ($1.8 billion), Italy ($800 million) and the United Kingdom ($300 million) (Scimone and Scimone 1998). Development in the European market was anticipated to be 5-10% in 1998-1999 and 15-20% in 1999-2000 (Scimone and Scimone 1998). The European market has gotten emphatically settled in the course of recent years, with an unobtrusive development rate until ongoing years that has indicated another upward pattern. The United States advertise is a totally extraordinary story. The home grown industry has developed exponentially in the course of recent years, with critical passage into the mass market inside the previous two years (Botanicals International 1998). Deals of home grown enhancements came to $4 billion of every 1998, up from $1.6 billion out of 1994 , an ascent of 250% (American Botanical Council 1998). Deals have been anticipated to increment between 50-100% in 1998-99 and between 20-25% in 2000-01(Scimone and Scimone 1998). What has caused this emotional increment? While an article in the New England Journal of Medicine (1998) accused this inversion to silly methodologies on thwarted expectation with the regularly rushed and indifferent consideration conveyed by traditional doctors, it is likewise seen as the monetary impact of the maturing children of post war America. As they have gotten more established, this age has become more wellbeing cognizant and progressively disappointed with ordinary medication in their endeavors to reduce the unfavorable impacts of maturing (Brenneman 1999).

Name BTM free essay sample

Ensure you spare your documents in open activity. BATHMAT-8 Advanced Scholarly Writing Week 1 Assignment: Referencing Peer Reviewed Studies Faculty utilize Only ;:Date Graded> Referencing Peer Reviewed Studies BATHMAT-8,week 1 Name Professor January 04, 2015 The strategic Northwestern University is to instruct experts all through the world and empower them for progress. Toward the start of each course, the understudy must browse their email, audit the course schedule, evaluating rubric, course substance, and policies.The course prospectus will establish the framework for he course rules and give a timetable to assignments. The principle reason picked a DAB is that a PhD is to propel information, though the essential objective of a DAB is to propel proficient practice. Started my course by looking into the schedule, rubric, and course content. The UNCLE Rubric can likewise be found on the Academic Success Center. The NICE Rubric expresses that substance comprises of 70% and composing (counting PAP organizing) is 30% of your general evaluation. We will compose a custom paper test on Name BTM or on the other hand any comparative point explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page I assessed the course content and decided how I would need to deal with my time, each week.Weeks 1-7 will require a 5-7 page paper ND week 8 will be 12-15 page paper. The Northwestern Academic Success Center is the one-stop region for every scholarly help. The middle offers instructing in insightful composition, time the board courses, library assets, instructional exercises, and direction on turning announcing. The Northwestern Library is a unified and exceptional worldwide asset that gives top notch educational assets. The Road Runner search permits you to scan helpfully for full content, insightful, and peer-investigated articles.The Northwestern Academic Integrity Policy site is an asset for understudies o know about the suitable rules to follow. On the off chance that an infringement of scholarly uprightness, has been found, at that point the understudies teacher will finish the Notice of Possible Academic Integrity Violation. After the audit has been finished, the Dean will tell the understudy and the teacher of the result (Importance of Reading and Understanding This Policy, 2012). In the Library and under well known databases, I investigated the various hotspots for research and articles. In three of the databases, I looked for Organizational Leadership.

Happy First Day of Class!

Happy First Day of Class! Hello, everyone! I hope you all had a fantastic first day of classes. I am so glad to be back here at Illinois. It feels so nice to return to such a beautiful, interesting, and exciting place. I really enjoyed my classes today, and I cannot believe that Ive officially started my junior year!  Todays schedule was just how I like itâ€"my classes were earlier, so I had the afternoon to get some stuff done and relax. The weather was gorgeous, so I spent some time outside and was happy to visit a few of my favorite spots on campus again. Hope you have an amazing, fun, productive, and rewarding semester! Sarah Class of 2018 I'm from Grand Rapids, Michigan. I'm majoring in Communication in the College of Liberal Arts and Sciences.

Second Grade Science Fair Projects

Second-graders tend to be very curious. Applying that natural inquisitiveness to a science fair project can yield great results. Look for a natural phenomenon that interests the student and have him or her ask questions about it. Expect to help a second-grade student plan the project, and offer guidance with a report or poster. While its always nice to apply the scientific method, its usually OK for second-graders to make models or perform demonstrations that illustrate scientific concepts. Here are some ideas appropriate for second-graders: Food These are experiments with things we eat: What factors affect the rate at which foods spoil? You can test heat, light, and humidity.Identify the characteristics that distinguish a fruit from a vegetable. Next, use these characteristics to group different produce items.Test eggs for freshness using the float test. Does it always work?Do all types of bread grow the same types of mold?What is the best liquid for dissolving a gummy bear? Try water, vinegar, oil, and other common ingredients. Can you explain the results?Do raw eggs and hard-boiled eggs spin the same length of time and number of times?A mint makes your mouth feel cool. Use a thermometer to see if it actually changes the temperature. Environment These experiments focus on processes in the world around us: Put a pair of old socks over your shoes and go for a walk in a field or a park. Remove the seeds that attach to the socks and try to figure out how they attach to animals and what the plants they come from might have in common.Why doesnt the ocean freeze? Compare the effects of motion, temperature, and wind on freshwater compared with salt water.Collect insects. What types of insects live in your environment? Can you identify them?Do cut flowers last longer if you put them in warm water or cold water? You can test how effectively flowers are drinking water by adding food coloring to it and using white flowers, such as carnations. Do flowers drink warm water faster, slower, or at the same rate as cold water?Can you tell from todays clouds what tomorrows weather will be?Collect a few ants. What foods most attract ants? Least attract them? Household These experiments are about how things work around the house: Do clothes take the same length of time to dry if you add a dryer sheet or fabric softener to the load?Do frozen candles burn at the same rate as candles that were stored at room temperature?Are waterproof mascaras really waterproof? Put some mascara on a sheet of paper and rinse it with water. What happens? Do eight-hour lipsticks really keep their color that long?What type of liquid will rust a nail the quickest? You could try water, orange juice, milk, vinegar, peroxide, and other common household liquids. Miscellaneous Here are experiments in various categories: Do all students take the same size steps (have the same stride)? Measure feet and strides and see if there seems to be a connection.Do most students have the same favorite color?Take a group of objects and categorize them. Explain how the categories were selected.Do all students in the class have the same size hands and feet as each other? Trace outlines of hands and feet and compare them. Do taller students have larger hands and feet or does height not seem to matter?

Why Boys Don t Play With Dolls By Katha Pollitt And Silko...

In our society today, there are many ways identity plays a role in how people live their lives, as well as how people are viewed or treated by others. A big part of a person’s identity comes from their gender. Men and women are raised differently, whether it be their beliefs and ways of thinking, how they view their future, or the actions they choose to take throughout their lifetime. In both Katha Pollitt and Silko’s essays, they discuss the differences in the lives of men and women and how these differences result from society’s expectations by using metaphors and life examples to explain their message to the reader, as well as allow the reader to connect to this message. In â€Å"Why Boys Don’t Play With Dolls,† Pollitt writes about the differences between growing up as a boy growing up as a girl. She brings up the stereotypes that society naturally creates between genders in early ages, which leads to the lifestyle and path that boys and girls are raised in. Parents and feminist alike play a big part in establishing these sex roles. They raise their kids wanting them to be successful at what they are expected to be good at based on their gender and the trend that has been set before them. In an excerpt from Pollitt’s essay, she references a metaphor of the lives of boys and girls through a doll and a truck, as well as Mars and Venus when she says, â€Å"A girl with a doll and a boy with a truck ‘explain’ why men are from Mars and women are from Venus, why wives do housework and

The Return Shadow Souls Chapter 14 Free Essays

â€Å"All right,† Damon said as he and Elena reached Bonnie and Meredith. â€Å"Now comes the hard part.† Meredith looked up at him. We will write a custom essay sample on The Return: Shadow Souls Chapter 14 or any similar topic only for you Order Now â€Å"Now comes†¦?† â€Å"Yes. The really hard part.† Damon had finally unzipped his mysterious black leather bag. â€Å"Look,† he said in a bare murmur, â€Å"this is the actual Gate that we have to get through. And while we’re doing it, you can have all the hysterics you want because you’re supposed to be captives.† He pulled out a number of pieces of rope. Elena, Meredith, and Bonnie had drawn together in an automatic show of velociraptor sisterhood. â€Å"What,† Meredith said slowly, as if to give Damon the final benefit of some lingering doubt, â€Å"are those ropes for?† Damon put his head to one side in an oh-come-on gesture. â€Å"They’re for tying your hands.† â€Å"For what?† Elena was amazed. She had never seen Meredith so obviously angry. She herself couldn’t even get a word in. Meredith had walked up and was looking at Damon from a distance of about four inches. And her eyes are gray! some distant part of Elena’s mind exclaimed in astonishment. Deep, deep, deep, clear gray gray. All this time I’ve thought they were brown, but they’re not. Meanwhile Damon was looking faintly alarmed at Meredith’s expression. A T. rex would have looked alarmed at Meredith’s expression, Elena thought. â€Å"And you expect us to walk around with our hands tied up? While you do what?† â€Å"While I act as your master,† Damon said, suddenly rallying with a glorious smile that was gone almost before it was there. â€Å"The three of you are my slaves.† There was a long, long silence. Elena waved the entire pile of objects away with a gesture. â€Å"We won’t do that,† she said simply. â€Å"We won’t. There has to be some other way – â€Å" â€Å"Do you want to rescue Stefan or not?† Damon demanded suddenly. There was a searing heat in the dark eyes he had fixed on Elena. â€Å"Of course I do!† Elena flashed back, feeling heat in her cheeks. â€Å"But not as a slave, dragged along behind you!† â€Å"That’s the only way humans get into the Dark Dimension,† Damon said flatly. â€Å"Tied or chained, as a vampire’s or kitsune’s or demon’s property.† Meredith was shaking her head. â€Å"You never told us – â€Å" â€Å"I told you that you wouldn’t like the way in!† Even while answering Meredith, Damon’s eyes never left Elena. Underneath his outward coldness, he seemed to be pleading with her to understand, she thought. In the old days, she thought, he’d have just lounged against a wall and raised his eyebrows and said, â€Å"Fine; I didn’t want to go anyway. Who’s for a picnic?† But Damon did want them to go, Elena realized. He was desperate for them to go. He just didn’t know any honest way of conveying that. The only way he knew was to – â€Å"You have to make us a promise, Damon,† she said, looking him directly in the eyes. â€Å"And it has to be before we make the decision to go or not.† She could see the relief in his eyes, even if to the other girls it might seem as if his face was perfectly cold and impassive. She knew he was glad she wasn’t saying that her previous decision was final, and that was that. â€Å"What promise?† Damon asked. â€Å"You have to swear – to give your word – that no matter what we decide now or in the Dark Dimension, you won’t try to Influence us. You won’t put us to sleep by mind control, or nudge us to do what you want. You won’t use any vampire tricks on our minds.† Damon wouldn’t be Damon if he didn’t argue. â€Å"But, look, suppose the time comes when you want me to do that? There are some things there that it might be better for you to sleep through – â€Å" â€Å"Then we’ll tell you we’ve changed our minds, and we’ll release you from the promise. You see? There’s no downside. You just have to swear.† â€Å"All right,† Damon said, still holding her gaze. â€Å"I swear I won’t use any kind of Power on your minds; I won’t Influence you in any way, until you ask me to. I give my word.† â€Å"Right.† At last Elena broke the stare down with the tiniest of smiles and nods. And Damon gave her an almost imperceptible nod in return. She turned away to find herself looking into Bonnie’s searching brown gaze. â€Å"Elena,† Bonnie whispered, tugging on her arm. â€Å"Come here for a sec, okay?† Elena could hardly help it. Bonnie was strong as a small Welsh pony. Elena went, casting a powerless look over her shoulder at Damon as she did. â€Å"What?† she whispered when Bonnie finally stopped dragging her. Meredith had come along as well, figuring it might be sisterhood business. â€Å"Well?† â€Å"Elena,† Bonnie burst out, as if unable to hold the words back any longer, â€Å"the way you and Damon act – it’s different than it used to be. You didn’t used to†¦I mean, what really happened between you two when you were alone together?† â€Å"This is hardly the time for that,† Elena hissed. â€Å"We’re having a big problem here, in case you hadn’t noticed.† â€Å"But – what if – â€Å" Meredith took up the unfinished sentence, pushing a dark lock of hair out of her eyes. â€Å"What if it’s something Stefan doesn’t like? Like ‘what happened with Damon when you were alone in the motel that night’?† she finished, quoting Bonnie’s words. Bonnie’s mouth fell open. â€Å"What motel? What night? What happened?† she almost shrieked, causing Meredith to try to quiet her and get bitten for her pains. Elena looked at first one and then the other of her two friends – the two friends who had come to die with her if necessary. She could feel her breath come short. It was so unfair, but†¦Ã¢â‚¬ Can we just discuss this later?† she suggested, trying to convey with her eyes and eyebrows Damon can hear us! Bonnie merely whispered, â€Å"What motel? What night? What – â€Å" Elena gave up. â€Å"Nothing happened,† she said flatly. â€Å"Meredith is only quoting you, Bonnie. You said those words last night while you were asleep. And maybe sometime in the future you’ll tell us what you’re talking about, because I don’t know.† She finished by looking at Meredith, who just raised one perfect eyebrow. â€Å"You’re right,† Meredith said, completely undeceived. â€Å"The English language could use a word like ‘sa.’ It would make these conversations so much shorter, for one thing.† Bonnie sighed. â€Å"Well, then, I’ll find out for myself,† she said. â€Å"You may not think I can, but I will.† â€Å"Okay, okay, but meanwhile does anyone have anything helpful to say about Damon’s rope stuff?† â€Å"Such as, do we tell him where to stuff it?† Meredith suggested under her breath. Bonnie was holding a length of rope. She ran a small, fair-skinned hand over it. â€Å"I don’t think this was bought in anger,† she said, her brown eyes unfocusing and her voice taking on the slightly eerie tone it always did when she was in trance. â€Å"I see a boy and a girl, over a counter at a hardware store – and she’s laughing, and the boy says, ‘I’ll bet you anything that you’re going to school next year to be an architect,’ and the girl gets all misty-eyed, and says, yes, and – † â€Å"And that’s all the psychic spying I care to hear today.† Damon had come right up to them without making a sound. Bonnie jumped violently, and almost dropped the rope. â€Å"Listen,† Damon continued harshly, â€Å"just a hundred meters away is the final crossing. Either you wear these and you act like slaves or you don’t get in to help Stefan. Ever. That’s it.† Silently, the girls conferred with their eyes. Elena knew that her own expression said clearly that she wasn’t asking either Bonnie or Meredith to go with her, but that she herself was going if it required crawling behind Damon on her hands and knees. Meredith, looking directly into Elena’s eyes, slowly shut her own and nodded, letting out her breath. Bonnie was nodding her head already, resigned. In silence, Bonnie and Meredith let Elena tie their wrists in front of them. Elena then let Damon tie her wrists and thread a long rope between the three of them, as if they were a chain gang of prisoners. Elena could feel a flush coming up from below her chest to burn in her cheeks. She couldn’t meet Damon’s eyes, not this way, but she knew without asking that Damon was thinking about the time that Stefan had dismissed him from his apartment like a dog, in front of just this audience, plus Matt. Vengeful cad, Elena thought as hard as she could in Damon’s direction. She knew the last word would hurt the most. Damon prided himself on being a gentleman†¦ But â€Å"gentlemen† don’t go into the Dark Dimension, Damon’s voice in her head said mockingly. â€Å"All right,† Damon added aloud, and took the lead rope in one hand. He started walking briskly into the darkness of the cave, the three girls crowding and stumbling behind him. Elena would never forget that brief journey, and she knew neither Bonnie nor Meredith would either. They walked across the shallow opening of the cave and into the small opening in the back, which gaped like a mouth. It took some maneuvering to get the three of them into it. On the other side the cavern flared out again, and they were in a large cavern. At least that was what Elena’s enhanced senses told her. The everlasting fog had returned and Elena had no idea which way they were going. Only a few minutes later a building reared up out of the thick fog. Elena didn’t know what she had been expecting from the Demon Gate. Possibly huge ebony doors, carved with serpents and encrusted with jewels. Maybe a rough-hewn, weathered colossus of stone, like the Egyptian pyramids. Perhaps even some sort of futuristic energy field that flickered and flashed with blue-violet lasers. What she saw instead looked like a ramshackle depot of some kind, a place for holding and shipping goods. There was an empty pen, heavily fenced, topped with barbed wire. It stank, and Elena was glad that she and Damon had not channeled power to her nose. Then there were people, men and women in fine clothes, each with a key in one hand, murmuring something before opening a door in one side of the building. The same door – but Elena would bet anything that they weren’t all going to the same place, if the keys were like the one she had briefly â€Å"borrowed† from Shinichi’s house a week or so ago. One of the ladies looked as if she were dressed for a fancy masquerade, with fox ears that blended into her long auburn hair. It was only when Elena saw under her ankle-length dress the swishing of a fox tail that she realized that the woman was a kitsune making use of the Demon Gate. Damon hastily – and none too gently – led them to the other side of the building, where a broken-hinged door opened into a dilapidated room that, strangely, seemed larger on the inside than on the outside. All sorts of things were being bartered or sold here: many looked as if they had to do with the management of slaves. Elena, Meredith, and Bonnie looked at one another, round-eyed. Obviously, people bringing wild slaves in from the outside considered torture and terror all in a day’s work. â€Å"Passage for four,† Damon said briefly to the slump-shouldered but heavyset man behind the counter. â€Å"Three savages all at once?† The man, eyes devouring what he could see of the three girls, turned to look at Damon suspiciously. â€Å"What can I say? My job is also my hobby.† Damon stared him straight in the eyes. â€Å"Yeh, but†¦Ã¢â‚¬  The man laughed. â€Å"Lately we bin gettin’ maybe one or two a month.† â€Å"They’re legally mine. No kidnappings. Kneel,† Damon added casually to the three girls. It was Meredith who got it first and sank to the ground like a ballet dancer. Her dark, dark gray eyes were focused on something no one but she could see. Then Elena somehow untangled the single syllable from the others. She focused her mind on Stefan and pretended she was kneeling to kiss him on his prison pallet. It seemed to work; she was down. But Bonnie was up. The most dependent, the softest, the most innocent member of the triumvirate found that her knees had gone solid. â€Å"Redheads, eh?† the man said, eyeing Damon sharply even as he smirked. â€Å"Maybe you’d better buy a little tingler for that one.† â€Å"Maybe,† Damon said tightly. Bonnie just looked at him blankly, looked at the girls on the ground and then threw herself into a prostrate position. Elena could hear her sobbing softly. â€Å"But I’ve found that a firm voice and a disapproving look actually work better.† The man gave up and slumped again. â€Å"Passage for four,† he grunted and reached up and pulled on a dirty bell rope. By this time Bonnie was weeping in fear and humiliation, but no one seemed to notice, except the other girls. Elena didn’t dare to try to comfort her telepathically; that wouldn’t fit in with the aura of a â€Å"normal human girl† at all, and who knew what traps or devices might be hidden here in addition to the man who kept undressing them over and over with his eyes? She just wished she could call up one of her Wings attacks, right here in this room. That would wipe the smug look off the man’s face. A moment later, something else wiped it off as completely as she could have desired. Damon leaned across the counter and whispered something to him that turned the slumped man’s leering face a sickly color of green. Did you hear what he said? Elena communicated this to Meredith using her eyes and eyebrows. Meredith, her own eyes crinkling, positioned her hand in front of Elena’s abdomen, then made a twisting, ripping motion. Even Bonnie smiled. Then Damon led them to wait outside the depot. They had only been standing a few minutes when Elena’s new vision spotted a boat gliding silently through the mist. She realized that the building must be on the very bank of a river, but even with Power directed solely to her eyes she could barely make out where the nonreflective land gave way to shining water, and even with Power directed solely to her ears she could barely hear the sound of swift deep water running. The boat stopped – somehow. Elena couldn’t see any anchor dropped or anything to fasten it to. But the fact was that it did stop, and the slumped man put down a plank, which stayed in place as they boarded: first Damon, and then his bevy of â€Å"slaves.† On board, Elena watched Damon wordlessly offer six pieces of gold to the ferryman – two for each human who presumably wouldn’t be coming back, she thought. For a moment she was lost in the memory of being very young – only three or so, she must have been – and sitting on her father’s lap while he read to her from a wonderfully illustrated book about the Greek myths. It told about the ferryman, Charon, who took spirits of the deceased over the river Styx to the land of the dead. And her father telling her that the Greeks put coins on the eyes of those who died so they could pay the ferryman†¦. There’s no coming back from this journey! she thought suddenly and violently. No escape! They might as well be truly dead†¦. Strangely, it was horror that saved her from this morass of terror. Just as she lifted her head, perhaps to scream, the dim figure of the ferryman turned from his duties briefly as if to look back over the passengers. Elena heard Bonnie’s shriek. Meredith, shaking, was frantically and illogically reaching for the bag in which her gun was stowed. Even Damon didn’t seem to be able to move. The tall specter in the boat had no face. He had deep depressions where his eyes should be, a shallow hollow for a mouth, and a triangular hole where his nose should have protruded. The uncanny horror of it, on top of the stink from the depot pens, was simply too much for Bonnie, and she slumped sideways, limp against Meredith, in a faint. Elena, in the midst of her terror, had a moment of revelation. In the dim, moist, dripping twilight, she had forgotten to stop trying to use all her senses to their fullest. She was undoubtedly better able to see the inhuman face of the ferryman than, say, Meredith. She could also hear things, like the sounds of long-dead miners tapping at the rock above them, and the scurrying of enormous bats or cockroaches or something, inside the stone walls all around them. But now, Elena suddenly felt warm tears on her icy cheeks as she realized that she had completely underestimated Bonnie for as long as she’d known about her friend’s psychic powers. If Bonnie’s senses were permanently open to the kinds of horrors Elena was experiencing now, it was no wonder that Bonnie lived in fear. Elena found herself promising to be a hell of a lot more tolerant the next time Bonnie faltered or started screaming. In fact, Bonnie deserved some kind of an award for keeping a grip on sanity this far, Elena decided. But Elena didn’t dare do any more than gaze at her friend, who was completely unconscious, and swear to herself that from now on Bonnie would find a champion in Elena Gilbert. That promise and the warmth of it burned like a candle in Elena’s mind, a candle she pictured held by Stefan, the light of it dancing in his green eyes and playing over the planes of his face. It was just enough to keep her from losing her own sanity on the rest of the journey. By the time the boat docked – at a place just slightly more traveled than the one where they had embarked – all three of the girls were in a state of exhaustion brought on by prolonged terror and wrenching suspense. But they hadn’t really used the time to think over the words â€Å"Dark Dimension† or to imagine the number of ways its darkness might be manifested. â€Å"Our new home,† Damon said grimly. Watching him instead of the landscape, Elena realized from the tension in his neck and shoulders that Damon was not enjoying himself. She’d thought he’d be heading into his own particular paradise, this world of human slaves, and torture for entertainment, whose only rule was self-preservation of the individual ego. Now she realized that she had been wrong. For Damon this was a world of beings with Powers as great or greater than his own. He was going to have to claw out a foothold here among them, just like any urchin on the street – except that he couldn’t afford to make any mistakes. They needed to find a way not just to live, but to live in luxury and mingle with high society, if they were to have any chance to rescue Stefan. Stefan – no, she couldn’t allow herself the luxury of thinking about him at that time. Once she started she would become undone, begin to demand ridiculous things, like that they go round to the prison, just to stare at it, like a junior high kid with a crush on an older boy, who just wanted to be driven â€Å"by his house† to worship it. And then what would that do to their plans for a jailbreak later? Plan A was: don’t make mistakes, and Elena would stick to that until she found a better one. That was how Damon and his â€Å"slaves† came to the Dark Dimension, through the Demon Gate. The smallest one needed to be revived with water in the face before she could get up and walk. How to cite The Return: Shadow Souls Chapter 14, Essay examples

The Return Shadow Souls Chapter 14 Free Essays

â€Å"All right,† Damon said as he and Elena reached Bonnie and Meredith. â€Å"Now comes the hard part.† Meredith looked up at him. We will write a custom essay sample on The Return: Shadow Souls Chapter 14 or any similar topic only for you Order Now â€Å"Now comes†¦?† â€Å"Yes. The really hard part.† Damon had finally unzipped his mysterious black leather bag. â€Å"Look,† he said in a bare murmur, â€Å"this is the actual Gate that we have to get through. And while we’re doing it, you can have all the hysterics you want because you’re supposed to be captives.† He pulled out a number of pieces of rope. Elena, Meredith, and Bonnie had drawn together in an automatic show of velociraptor sisterhood. â€Å"What,† Meredith said slowly, as if to give Damon the final benefit of some lingering doubt, â€Å"are those ropes for?† Damon put his head to one side in an oh-come-on gesture. â€Å"They’re for tying your hands.† â€Å"For what?† Elena was amazed. She had never seen Meredith so obviously angry. She herself couldn’t even get a word in. Meredith had walked up and was looking at Damon from a distance of about four inches. And her eyes are gray! some distant part of Elena’s mind exclaimed in astonishment. Deep, deep, deep, clear gray gray. All this time I’ve thought they were brown, but they’re not. Meanwhile Damon was looking faintly alarmed at Meredith’s expression. A T. rex would have looked alarmed at Meredith’s expression, Elena thought. â€Å"And you expect us to walk around with our hands tied up? While you do what?† â€Å"While I act as your master,† Damon said, suddenly rallying with a glorious smile that was gone almost before it was there. â€Å"The three of you are my slaves.† There was a long, long silence. Elena waved the entire pile of objects away with a gesture. â€Å"We won’t do that,† she said simply. â€Å"We won’t. There has to be some other way – â€Å" â€Å"Do you want to rescue Stefan or not?† Damon demanded suddenly. There was a searing heat in the dark eyes he had fixed on Elena. â€Å"Of course I do!† Elena flashed back, feeling heat in her cheeks. â€Å"But not as a slave, dragged along behind you!† â€Å"That’s the only way humans get into the Dark Dimension,† Damon said flatly. â€Å"Tied or chained, as a vampire’s or kitsune’s or demon’s property.† Meredith was shaking her head. â€Å"You never told us – â€Å" â€Å"I told you that you wouldn’t like the way in!† Even while answering Meredith, Damon’s eyes never left Elena. Underneath his outward coldness, he seemed to be pleading with her to understand, she thought. In the old days, she thought, he’d have just lounged against a wall and raised his eyebrows and said, â€Å"Fine; I didn’t want to go anyway. Who’s for a picnic?† But Damon did want them to go, Elena realized. He was desperate for them to go. He just didn’t know any honest way of conveying that. The only way he knew was to – â€Å"You have to make us a promise, Damon,† she said, looking him directly in the eyes. â€Å"And it has to be before we make the decision to go or not.† She could see the relief in his eyes, even if to the other girls it might seem as if his face was perfectly cold and impassive. She knew he was glad she wasn’t saying that her previous decision was final, and that was that. â€Å"What promise?† Damon asked. â€Å"You have to swear – to give your word – that no matter what we decide now or in the Dark Dimension, you won’t try to Influence us. You won’t put us to sleep by mind control, or nudge us to do what you want. You won’t use any vampire tricks on our minds.† Damon wouldn’t be Damon if he didn’t argue. â€Å"But, look, suppose the time comes when you want me to do that? There are some things there that it might be better for you to sleep through – â€Å" â€Å"Then we’ll tell you we’ve changed our minds, and we’ll release you from the promise. You see? There’s no downside. You just have to swear.† â€Å"All right,† Damon said, still holding her gaze. â€Å"I swear I won’t use any kind of Power on your minds; I won’t Influence you in any way, until you ask me to. I give my word.† â€Å"Right.† At last Elena broke the stare down with the tiniest of smiles and nods. And Damon gave her an almost imperceptible nod in return. She turned away to find herself looking into Bonnie’s searching brown gaze. â€Å"Elena,† Bonnie whispered, tugging on her arm. â€Å"Come here for a sec, okay?† Elena could hardly help it. Bonnie was strong as a small Welsh pony. Elena went, casting a powerless look over her shoulder at Damon as she did. â€Å"What?† she whispered when Bonnie finally stopped dragging her. Meredith had come along as well, figuring it might be sisterhood business. â€Å"Well?† â€Å"Elena,† Bonnie burst out, as if unable to hold the words back any longer, â€Å"the way you and Damon act – it’s different than it used to be. You didn’t used to†¦I mean, what really happened between you two when you were alone together?† â€Å"This is hardly the time for that,† Elena hissed. â€Å"We’re having a big problem here, in case you hadn’t noticed.† â€Å"But – what if – â€Å" Meredith took up the unfinished sentence, pushing a dark lock of hair out of her eyes. â€Å"What if it’s something Stefan doesn’t like? Like ‘what happened with Damon when you were alone in the motel that night’?† she finished, quoting Bonnie’s words. Bonnie’s mouth fell open. â€Å"What motel? What night? What happened?† she almost shrieked, causing Meredith to try to quiet her and get bitten for her pains. Elena looked at first one and then the other of her two friends – the two friends who had come to die with her if necessary. She could feel her breath come short. It was so unfair, but†¦Ã¢â‚¬ Can we just discuss this later?† she suggested, trying to convey with her eyes and eyebrows Damon can hear us! Bonnie merely whispered, â€Å"What motel? What night? What – â€Å" Elena gave up. â€Å"Nothing happened,† she said flatly. â€Å"Meredith is only quoting you, Bonnie. You said those words last night while you were asleep. And maybe sometime in the future you’ll tell us what you’re talking about, because I don’t know.† She finished by looking at Meredith, who just raised one perfect eyebrow. â€Å"You’re right,† Meredith said, completely undeceived. â€Å"The English language could use a word like ‘sa.’ It would make these conversations so much shorter, for one thing.† Bonnie sighed. â€Å"Well, then, I’ll find out for myself,† she said. â€Å"You may not think I can, but I will.† â€Å"Okay, okay, but meanwhile does anyone have anything helpful to say about Damon’s rope stuff?† â€Å"Such as, do we tell him where to stuff it?† Meredith suggested under her breath. Bonnie was holding a length of rope. She ran a small, fair-skinned hand over it. â€Å"I don’t think this was bought in anger,† she said, her brown eyes unfocusing and her voice taking on the slightly eerie tone it always did when she was in trance. â€Å"I see a boy and a girl, over a counter at a hardware store – and she’s laughing, and the boy says, ‘I’ll bet you anything that you’re going to school next year to be an architect,’ and the girl gets all misty-eyed, and says, yes, and – † â€Å"And that’s all the psychic spying I care to hear today.† Damon had come right up to them without making a sound. Bonnie jumped violently, and almost dropped the rope. â€Å"Listen,† Damon continued harshly, â€Å"just a hundred meters away is the final crossing. Either you wear these and you act like slaves or you don’t get in to help Stefan. Ever. That’s it.† Silently, the girls conferred with their eyes. Elena knew that her own expression said clearly that she wasn’t asking either Bonnie or Meredith to go with her, but that she herself was going if it required crawling behind Damon on her hands and knees. Meredith, looking directly into Elena’s eyes, slowly shut her own and nodded, letting out her breath. Bonnie was nodding her head already, resigned. In silence, Bonnie and Meredith let Elena tie their wrists in front of them. Elena then let Damon tie her wrists and thread a long rope between the three of them, as if they were a chain gang of prisoners. Elena could feel a flush coming up from below her chest to burn in her cheeks. She couldn’t meet Damon’s eyes, not this way, but she knew without asking that Damon was thinking about the time that Stefan had dismissed him from his apartment like a dog, in front of just this audience, plus Matt. Vengeful cad, Elena thought as hard as she could in Damon’s direction. She knew the last word would hurt the most. Damon prided himself on being a gentleman†¦ But â€Å"gentlemen† don’t go into the Dark Dimension, Damon’s voice in her head said mockingly. â€Å"All right,† Damon added aloud, and took the lead rope in one hand. He started walking briskly into the darkness of the cave, the three girls crowding and stumbling behind him. Elena would never forget that brief journey, and she knew neither Bonnie nor Meredith would either. They walked across the shallow opening of the cave and into the small opening in the back, which gaped like a mouth. It took some maneuvering to get the three of them into it. On the other side the cavern flared out again, and they were in a large cavern. At least that was what Elena’s enhanced senses told her. The everlasting fog had returned and Elena had no idea which way they were going. Only a few minutes later a building reared up out of the thick fog. Elena didn’t know what she had been expecting from the Demon Gate. Possibly huge ebony doors, carved with serpents and encrusted with jewels. Maybe a rough-hewn, weathered colossus of stone, like the Egyptian pyramids. Perhaps even some sort of futuristic energy field that flickered and flashed with blue-violet lasers. What she saw instead looked like a ramshackle depot of some kind, a place for holding and shipping goods. There was an empty pen, heavily fenced, topped with barbed wire. It stank, and Elena was glad that she and Damon had not channeled power to her nose. Then there were people, men and women in fine clothes, each with a key in one hand, murmuring something before opening a door in one side of the building. The same door – but Elena would bet anything that they weren’t all going to the same place, if the keys were like the one she had briefly â€Å"borrowed† from Shinichi’s house a week or so ago. One of the ladies looked as if she were dressed for a fancy masquerade, with fox ears that blended into her long auburn hair. It was only when Elena saw under her ankle-length dress the swishing of a fox tail that she realized that the woman was a kitsune making use of the Demon Gate. Damon hastily – and none too gently – led them to the other side of the building, where a broken-hinged door opened into a dilapidated room that, strangely, seemed larger on the inside than on the outside. All sorts of things were being bartered or sold here: many looked as if they had to do with the management of slaves. Elena, Meredith, and Bonnie looked at one another, round-eyed. Obviously, people bringing wild slaves in from the outside considered torture and terror all in a day’s work. â€Å"Passage for four,† Damon said briefly to the slump-shouldered but heavyset man behind the counter. â€Å"Three savages all at once?† The man, eyes devouring what he could see of the three girls, turned to look at Damon suspiciously. â€Å"What can I say? My job is also my hobby.† Damon stared him straight in the eyes. â€Å"Yeh, but†¦Ã¢â‚¬  The man laughed. â€Å"Lately we bin gettin’ maybe one or two a month.† â€Å"They’re legally mine. No kidnappings. Kneel,† Damon added casually to the three girls. It was Meredith who got it first and sank to the ground like a ballet dancer. Her dark, dark gray eyes were focused on something no one but she could see. Then Elena somehow untangled the single syllable from the others. She focused her mind on Stefan and pretended she was kneeling to kiss him on his prison pallet. It seemed to work; she was down. But Bonnie was up. The most dependent, the softest, the most innocent member of the triumvirate found that her knees had gone solid. â€Å"Redheads, eh?† the man said, eyeing Damon sharply even as he smirked. â€Å"Maybe you’d better buy a little tingler for that one.† â€Å"Maybe,† Damon said tightly. Bonnie just looked at him blankly, looked at the girls on the ground and then threw herself into a prostrate position. Elena could hear her sobbing softly. â€Å"But I’ve found that a firm voice and a disapproving look actually work better.† The man gave up and slumped again. â€Å"Passage for four,† he grunted and reached up and pulled on a dirty bell rope. By this time Bonnie was weeping in fear and humiliation, but no one seemed to notice, except the other girls. Elena didn’t dare to try to comfort her telepathically; that wouldn’t fit in with the aura of a â€Å"normal human girl† at all, and who knew what traps or devices might be hidden here in addition to the man who kept undressing them over and over with his eyes? She just wished she could call up one of her Wings attacks, right here in this room. That would wipe the smug look off the man’s face. A moment later, something else wiped it off as completely as she could have desired. Damon leaned across the counter and whispered something to him that turned the slumped man’s leering face a sickly color of green. Did you hear what he said? Elena communicated this to Meredith using her eyes and eyebrows. Meredith, her own eyes crinkling, positioned her hand in front of Elena’s abdomen, then made a twisting, ripping motion. Even Bonnie smiled. Then Damon led them to wait outside the depot. They had only been standing a few minutes when Elena’s new vision spotted a boat gliding silently through the mist. She realized that the building must be on the very bank of a river, but even with Power directed solely to her eyes she could barely make out where the nonreflective land gave way to shining water, and even with Power directed solely to her ears she could barely hear the sound of swift deep water running. The boat stopped – somehow. Elena couldn’t see any anchor dropped or anything to fasten it to. But the fact was that it did stop, and the slumped man put down a plank, which stayed in place as they boarded: first Damon, and then his bevy of â€Å"slaves.† On board, Elena watched Damon wordlessly offer six pieces of gold to the ferryman – two for each human who presumably wouldn’t be coming back, she thought. For a moment she was lost in the memory of being very young – only three or so, she must have been – and sitting on her father’s lap while he read to her from a wonderfully illustrated book about the Greek myths. It told about the ferryman, Charon, who took spirits of the deceased over the river Styx to the land of the dead. And her father telling her that the Greeks put coins on the eyes of those who died so they could pay the ferryman†¦. There’s no coming back from this journey! she thought suddenly and violently. No escape! They might as well be truly dead†¦. Strangely, it was horror that saved her from this morass of terror. Just as she lifted her head, perhaps to scream, the dim figure of the ferryman turned from his duties briefly as if to look back over the passengers. Elena heard Bonnie’s shriek. Meredith, shaking, was frantically and illogically reaching for the bag in which her gun was stowed. Even Damon didn’t seem to be able to move. The tall specter in the boat had no face. He had deep depressions where his eyes should be, a shallow hollow for a mouth, and a triangular hole where his nose should have protruded. The uncanny horror of it, on top of the stink from the depot pens, was simply too much for Bonnie, and she slumped sideways, limp against Meredith, in a faint. Elena, in the midst of her terror, had a moment of revelation. In the dim, moist, dripping twilight, she had forgotten to stop trying to use all her senses to their fullest. She was undoubtedly better able to see the inhuman face of the ferryman than, say, Meredith. She could also hear things, like the sounds of long-dead miners tapping at the rock above them, and the scurrying of enormous bats or cockroaches or something, inside the stone walls all around them. But now, Elena suddenly felt warm tears on her icy cheeks as she realized that she had completely underestimated Bonnie for as long as she’d known about her friend’s psychic powers. If Bonnie’s senses were permanently open to the kinds of horrors Elena was experiencing now, it was no wonder that Bonnie lived in fear. Elena found herself promising to be a hell of a lot more tolerant the next time Bonnie faltered or started screaming. In fact, Bonnie deserved some kind of an award for keeping a grip on sanity this far, Elena decided. But Elena didn’t dare do any more than gaze at her friend, who was completely unconscious, and swear to herself that from now on Bonnie would find a champion in Elena Gilbert. That promise and the warmth of it burned like a candle in Elena’s mind, a candle she pictured held by Stefan, the light of it dancing in his green eyes and playing over the planes of his face. It was just enough to keep her from losing her own sanity on the rest of the journey. By the time the boat docked – at a place just slightly more traveled than the one where they had embarked – all three of the girls were in a state of exhaustion brought on by prolonged terror and wrenching suspense. But they hadn’t really used the time to think over the words â€Å"Dark Dimension† or to imagine the number of ways its darkness might be manifested. â€Å"Our new home,† Damon said grimly. Watching him instead of the landscape, Elena realized from the tension in his neck and shoulders that Damon was not enjoying himself. She’d thought he’d be heading into his own particular paradise, this world of human slaves, and torture for entertainment, whose only rule was self-preservation of the individual ego. Now she realized that she had been wrong. For Damon this was a world of beings with Powers as great or greater than his own. He was going to have to claw out a foothold here among them, just like any urchin on the street – except that he couldn’t afford to make any mistakes. They needed to find a way not just to live, but to live in luxury and mingle with high society, if they were to have any chance to rescue Stefan. Stefan – no, she couldn’t allow herself the luxury of thinking about him at that time. Once she started she would become undone, begin to demand ridiculous things, like that they go round to the prison, just to stare at it, like a junior high kid with a crush on an older boy, who just wanted to be driven â€Å"by his house† to worship it. And then what would that do to their plans for a jailbreak later? Plan A was: don’t make mistakes, and Elena would stick to that until she found a better one. That was how Damon and his â€Å"slaves† came to the Dark Dimension, through the Demon Gate. The smallest one needed to be revived with water in the face before she could get up and walk. How to cite The Return: Shadow Souls Chapter 14, Essay examples

Myth Of A Classless Essays - Anthropology, Social Class, Socialism

Myth Of A Classless The myth of a classless American society coupled with social stratification impedes race relations in the U.S. far more than any racial differences. The never ending struggle of the have-nots to become one of the haves produces a frustration and feeling of oppression that acts as a catalyst for spawning racial tensions. Minorities see the majority of wealth in the hands of the white population and feel that the wealth is unevenly distributed. Whites hear of government programs for minorities and feel as if they are lazy or just looking for a handout. This occurs and stereotypes are formed. Combine all of this with the United States system of dual welfareand the perfect environment for racial strife is created. In our classlesssociety of false hope the working class and poor are continually seeking opportunities to excel that just aren't there. They have been led to believe that intelligence and ambition are key contributors to one's success. This belief lays blame on the unsuccessful themselves, even if they do possess ambition and intelligence. These people are in a never ending cycle of struggle, followed by minimal rewards, which eventually produces a frustration that sometimes leads to desperate measures. The Summer Stragedy, The Filling Station, Southeast Arkanasia, The Southern Road and Mending Wall are the stories and poems that depict the life of a different classes people in a society. One way you can read Mending Wall by Robert Frost is that it is about a man who rebuilds the wall seperating his property from his neighbours. This man, this person created by Gray doesn't seem to believe there is a use for the wall as he [the neighbour] is all pine and I [the persona] am apple orchard, but his neighbour believes that good fences make good neighbours. The persona tries to change his neighbour's opinion by trying to put a notion in his head? but his neighbour seems to just ignore him. So the person gets annoyed and thinks of him as an old-stone savage. This is a very simple situation which we can all relate to. But, if we read deeper into the poem we may find the meanings that Robert Frost wanted us to see. Firstly, as we know that this persona is against the building of walls where not necessary we find that it is this persona that initiates the re-building of the wall. I let my neighbour know beyond the hill. This gives the reader something to think about. It puts questions in the reader's mind as to why he would initiate this if he doesn't think it's necessary. One reason may be that this persona enjoys the company of his neighbour - but he gets frustrated with him. Maybe this person is a lonely person and any company is good company. They meet to walk the line. Maybe through mending the wall between them they are mending their friendship. These are all viable options and as we read further into the poem we may understand to a greater extent why he does this. When the two start building the wall the reader may notice that words such as we and our are used giving the feeling of cooperation and companionship. The persona once calls this task an outdoor game which connotes feelings of enjoyment, cooperation, competition. The fact that they walk the line one on a side gives a visual image in the readers mind and may remind them of a tennis game. I must emphasize that what is being told in the poem is from the personals point of view, not directly Frost's, so the reader must beware and realise that it is possible that the persona is wrong in some of his comments. There where it is we do not need the wall. This comment being straight to the point makes the reader feel as if the persona is denying the fact that it is the wall that brings the two men together to cooperate with one another and to converse with one another (to a certain extent). The line directly after this comment segregates the two from one another by contrasting the type of people they are with each other. He is all pine and I am all apple orchard. the fact that this statement comes directly after the comment on the uselessness of the wall suggests that it is these kind of attitudes that puts a barrier between people thus segregating them

Bulimia Nervosa and Anorexia Nervosa are the most Essays

Bulimia Nervosa and Anorexia Nervosa are the most Essays Bulimia Nervosa and Anorexia Nervosa are the most common eating disorders in the world. One in ten Americans suffer or have suffered from an eating disorder in their life. Disorders like these two listed are common in both females and males in their early stages of adulthood. The prevalence in women that suffer from bulimia are 0.3-0.5% , then for women who suffer from Anorexia is 1-3%. From this statistic, it is inferred that these two eating disorders have contrasting characteristics. Even though Bulimia and Anorexia are two types of binge-eating disorders, both have different contrasting effects on t he body such as physical changes to ones' body , Triggers, and negative effects physically and psychologically . Bulimia Nervosa is an eating disorder where a person is consumed with binge eating followed by extreme methods of pu rging. The physical changes to body are Puffiness in the face below cheekbones, swollen glands, and sometimes bursting blood vessels in the eyes. Bulimia triggers a person's body in ways that exhibit anxious behavior. Someone who has Bulimia Nervosa has less control over their food intake than a person who has Anorexia Nervosa. People who have Bulimia lack control over their daily intake , following extreme diets for example going a day without eating, in-combination with the impulse to eat a large amount of food. This eating disorder may result in negative effects on one's body physically and psychologically, such as heat failure, damage to esophagus and teeth. People who suffer from this eating disorder tend to display a perfectionism behavior and have a tendency to be highly self-critical. Anorexia Nervosa is an eating disorder where a person fears weight gain and avoids eating, or eats small irregular food portions. A person with this eating disorder has physical changes in their body like loss of their hair, slow movements. Someone who is Anorexia Nervosa exhibits triggers such as compulsive controlling, for example their strict control over their food intake. Also, they tend to be consumed with analyzing the smallest things. This disorder effects the body negatively due to the cause of conditions it can cause such as Amenorrhea; which is the loss of one's menstrual cycle, osteoporosis, and infertility. Anorexia Nervosa causes one to become isolated from others, like their family and friends. In conclusion, Bulimia and Anorexia Nervosa are both self-destructive eating habits, but must be identified in different ways. They both have very contrasting physical characteristics that set them apart from one and another. Both can have different effects on one's body and daily functioning.

Stuart Davis, American Modernist Painter

Stuart Davis, American Modernist Painter Stuart Davis (1892-1964) was a prominent American modernist painter. He began working in the realist Ashcan School style, but exposure to European modernist painters in the Armory Show led to a distinctive personal modernist style that influenced the later development of pop art. Fast Facts: Stuart Davis Occupation: PainterMovement: Abstract art, modernism, cubismBorn: December 7, 1892 in Philadelphia, PennsylvaniaDied: June 24, 1964 in New York, New YorkParents: Helen Stuart Foulke and Edward Wyatt DavisSpouses: Bessie Chosak (died 1932), Roselle SpringerChild: George Earle DavisSelected Works: Lucky Strike (1921), Swing Landscape (1938), Deuce (1954)Notable Quote: I dont want people to copy Matisse or Picasso, although it is entirely proper to admit their influence. I dont make paintings like theirs. I make paintings like mine. Early Life and Education The son of sculptor Helen Stuart Foulke and newspaper art editor Edward Wyatt Davis, Stuart Davis grew up surrounded by visual art. He developed a serious interest in drawing by age sixteen and started illustrating adventure stories for his younger brother, Wyatt. Davis family moved from his childhood home in Philadelphia, Pennsylvania, to New Jersey, where he got to know a group of his fathers artist colleagues known as the Eight. This group included Robert Henri, George Luks, and Everett Shinn. Bar House, Newark (1913). Wikimedia Commons / Public Domain Stuart Davis began his formal art training as a student of Robert Henri, who became the leader of the Ashcan School, an American art movement known for focusing on painting scenes of daily life in New York City. They took much of their inspiration from Walt Whitmans poetry in Leaves of Grass. The Armory Show In 1913, Davis was one of the youngest artists featured in the groundbreaking Armory Show, the first extensive exhibition of modern art in the U.S. First showing at New Yorks 69th Regiment Armory, the exhibition then traveled to the Art Institute of Chicago and Copley Society of Art in Boston. The Mellow Pad (1951). Brooklyn Museum / Wikimedia Commons While Stuart Davis exhibited realist paintings in the Ashcan style, he studied the works of European modernist artists included in the exhibition, from Henri Matisse to Pablo Picasso. After the Armory Show, Davis became a dedicated modernist. He took cues from the cubist movement in Europe to move toward a more abstract style of painting. Colorful Abstraction Stuart Davis mature style of painting began to develop in the 1920s. He became friends with other influential American artists including Charles Demuth and Arshile Gorky as well as poet William Carlos Williams. His work began with realistic elements but he then abstracted them with bright colors and geometrical edges. Davis also painted in series, making his work parallel to musical variations on a theme. Swing Landscape (1938). Robert Alexander / Getty Images In the 1930s, Davis painted murals for the Federal Art Project, a program of the Works Progress Administration. One of those, the monumental painting Swing Landscape shows the style of Stuart Davis in full flower. He began with a depiction of the waterfront of Gloucester, Massachusetts, and then added the energy of the jazz and swing music he loved. The result is a highly personal explosion of color and geometrical forms. By the 1950s, Davis work evolved to a focus on lines and a style influenced by drawing. The painting Deuce is an example of the shift. Gone was the cacophony of bright colors. In its place was a lively set of vibrant lines and shapes still echoing lessons learned from the European cubism of the early 20th century. Later Career After he established himself as a vital member of the New York avant-garde painting scene of the mid-20th century, Stuart Davis began teaching. He worked at the Art Students League, the New School for Social Search, and then Yale University. As an instructor, Davis directly influenced a new generation of American artists. Nightlife (1962). Wikimedia Commons / Creative Commons 2.0 Although his late-career work continued to incorporate abstract elements, Stuart Davis never moved completely away from referencing real life. He rejected the abstract expressionism that dominated the American art world of the 1950s. In the early 1960s, Davis health quickly declined until he suffered a stroke in 1964 and passed away. His death came just as art critics saw the influence of his work in a new movement, pop art. Legacy Deuce (1954). Andreas Solaro / Getty Images One of Stuart Davis most lasting contributions was his ability to take lessons learned from European movements in painting and create a distinctly American twist on the ideas. His bold, graphical paintings contain echoes of the work of Fauvists like Henri Matisse and the cubist experiments of Georges Braque and Pablo Picasso. However, the end product finds inspiration in American life and architecture, a factor that makes Davis work unique. Pop artists Andy Warhol and David Hockney celebrated Stuart Davis blending of content from commercial advertisements with the shapes of everyday objects that he first depicted in the 1920s. Today, many art historians consider Davis work to be proto-pop art. Source Haskell, Barbara. Stuart Davis: In Full Swing. Prestel, 2016.

There are two topicschoose one of them Coursework

There are two topicschoose one of them - Coursework Example By allocating the costs by their using departments, departmental decision making is enhanced. The marketing department cannot be held accountable for the wastage or spoilage incurred by the grinding department. The department generating high production levels is not affected by another department’s operating activities. Applying the traditional cost alternative, the costs of all the departments are lumped into one cost account (Debarshi, 2011, p. 178). Consequently, the department producing the avoidable production wastes and spoilage can be erroneously made to explain one’s wasteful production process charge. This is because the total expenses and costs of all the departments are evenly divided among all the wasteful and not wasteful departments. Further, allocating the costs by departments will allow the implementation of favorable cost center-based strategies. Under the strategy, each department is responsible for its own profit, expense, revenue, or other financial accounts (Kinney, 2012, p. 26). For example, the costs and operating expenses of the fast selling department are deducted from the revenues of the same fast selling branch or department. Likewise, the costs and operating expenses of the slow selling department are deducted from the revenues of the same slow selling branch or department. This way, management can determine whether each department performed financial better than the other departments. In terms of areas where judgment may be needed, the computation of the overhead allocation includes categorizing expenses according to direct costs and indirect costs (Mittal, 2010, p. 23). For example, wood, nails, and paint are classified as direct materials of the furniture manufacturing company because wood, nails, and paint form part of the completed chair. Direct labor cost includes amount paid to the individuals directly making the product. For example, the salary payment of the carpenter making the chair is direct

Anthropology and political and power Essay Example | Topics and Well Written Essays - 2750 words

Anthropology and political and power - Essay Example Anthropology's basic concerns are "What defines Homo sapiens?", "Who are the ancestors of modern Homo sapiens?", "What are humans' physical traits?", "How do humans behave?", "Why are there variations and differences among different groups of humans?", "How has the evolutionary past of Homo sapiens influenced its social organization and culture?" so it is the study of how humans live and interact. The anthropologist Eric Wolf once described anthropology as "the most scientific of the humanities, and the most humanistic of the sciences." Politics is a process by which groups of people make collective decisions. The term is generally applied to the art or science of running a government. It also refers to behavior within civil governments. However, politics have been observed in other group interactions, including corporate, academic, and religious institutions. It consists of "social relations involving authority or power† and refers to the regulation of public affairs within a political unit, and to the methods and tactics used to formulate and apply policy. Anthropology and politics have a direct link between them. POWER IS IMMANENT in human affairs; by definition, human beings are political animals. Power in this sense cannot be reduced to a single social or political instance by either external or internal criteria. Whether or not the social grouping under scrutiny is collectively aggregated by conditions of gender, age, kinship, class, or hierarchy, power is present. In the most basic sense, power is what the political scientist Harold Lasswell defined as political: who gets what and how. Or, as the anthropologist Edmund Leach provocatively noted, all social and cultural change is a quest for power. Power is not a domain but one of the essential forms and conditions of human relations. Three phases may be recognized in anthropology’s relationship with politics. In the first formative era (1879–1939) anthropologists studied politics almos t incidentally to their other interests, and we can speak only of ‘the anthropology of politics’. In the second phase (1940–66) political anthropology developed a body of systematically-structured knowledge and a self-conscious discourse. The third phase began in the mid-1960s when all such disciplinary specialization came under severe challenge. As new paradigms challenged the earlier dominating, coercive systems of knowledge, political anthropology was first de-centered and then deconstructed. The political turn taken by geography, social history, and literary criticism and, above all, feminism has revitalized anthropology’s concern with power and powerlessness. FEW subjects arouse more passion and debate among Muslims today than the encounter between Islam and modern thought. The subject is of course vast and embraces fields ranging from politics to sacred art, subjects whose debate often causes volcanic eruptions of emotions and passions which hardly l ead to an objective scrutiny of causes and a clear vision of the problems involved. Nor is this debate which consumes so much of the energies of Muslims and students of Islam helped by the lack of clear definition of the terms of the debate and an insight into the actual forces involved. The whole discussion is also paralyzed by a psychological sense of inferiority and a sense of enfeeblement before the modern world which prevents most modernized Muslims from making a critical appraisal of the situation and of stating the truth irrespective of

The Role Of Migratory Birds

The Role Of Migratory Birds The role of migratory birds in transmitting poultry diseases is becoming a contentious issue in the whole world. The issue has even made researchers and naturalists to differ in opinion regarding their capability to disperse pathogens across continents. Recent studies that were conducted during the bird flu outbreaks found out that a migratory bird is capable of disseminating the deadly H5N1 avian influenza without themselves getting infected. Research has shown that these birds are responsible for transmission of many diseases, especially viral, in types of animals. This study therefore has the mandate to critically analyze how migratory birds aid in transmission of diseases. The study will also focus on the various types of diseases that are transmitted by these birds. Introduction Birds have been known since time immemorial to be migrating from one region to another. The birds can be local migrants, short distance migrants, long distance migrants and nomadic and vagrant migrants. They do travel across national and international borders. The migration is always due to the instinct for survival. This instinct leads birds to look for seasonal opportunities for food supply and breeding habitats. The findings from the studies conducted on the concept of bird migration reveal that millions of birds migrate annually from unfavorable to favorable conditions (Hubalek, 1994, 2004). Unfavorable conditions are usually in winter while the favorable are in summer. Birds therefore migrate from places where there is winter to places with seasons of winter. This explains why the migration is rampant. The environmental conditions during summer accelerate food accumulation and breeding because of the better climatic conditions. Through biological systems, birds store up energy and fats during this season. The energy and fats stored aid in migration when there are changing survival conditions in the habitat. During this period, winter falls. An interesting observation is that not all birds migrate with the changing conditions. The pattern of migration differs with species and requirements (Berthold Peter, 2001). Some birds do migrate over short distance just to look for food and come back. Others migrate over long distance and may come back or not. The migration of these birds is a natural phenomenon. They have to do that in order to maintain ecological balance and most importantly, to survive. However, the natural phenomenon is always followed by harsh repercussions that are unavoidable. It is saddening to know that these birds are either carriers or hosts for pathogens. As they migrate, these birds transfer micro-organisms across localities, nations and even continents. They therefore play a significant role in the ecology and pathogenic organism circulation. These birds are implicated as hosts and mechanical carriers of infected ecto-parasites. They are also implicated in the transmission of zoonoses. It is not possible to put a stop to this sequence but we can minimize the risks involved. This can be done by controlling and preventing perilous situations. Pathogens transmitted by migratory birds Avian Pneumovirus (APV). This virus belongs to the genus Metapneumovirus. It causes a respiratory disease which is known as turkey rhinotrachetis (TRT). This disease is commonly known as swollen head syndrome (SHS) in chickens (Gough, 2003Lwamba et al., 2002). This disease kills domestic birds, especially turkey at a very high rate. It has been found out that it only takes a few moments after the attack before the bird dies. When the bird gets a secondary bacterial infection and immunosuppressive viral disease, the severity of APV is accelerated (Lwamba 2002, Jones 2006).The significance of migratory birds in the epidemiology and persistence of APV in domestic flock has been ascertained through isolation process (Shin et al., 2000). When isolation of APV from choanal swab or nasal turbinate of wild birds like geese, sparrows, swallows mallards and starling is done, there is a high persistence of APV occurrence. Bennett (2204) observed a seasonal trend of disease occurrence during APV outbreaks in Minnesota. He suggested the suspected involvement/role of wild migratory birds in APV transmission. When a nucleotide sequencing was done, it was deduced that there was a common source for the APV isolates extracted from wild ducks, domestic turkeys and geese. It was also deduced that the viruses from the different species can cross-infect. This indicated a close relationship (Shin et al., 2002). Duck plague virus (DPV) This is a highly contagious disease of Anseriformes. The duck plague/ viral enteritis causes high mortality and a decline in egg production in chickens and domestic waterfowl (Shawky and Sandhu, 2003). It has also been found to cause viable mortality in wild waterfowl. The disease (DPV) strains have been found to exist from cloacal swabs of pintail ducks, wood ducks and gadwall ducks. It was also found out that wild ducks and geese that survived during the natural outbreaks remained carriers even after four years of post infection. Migratory birds who are carriers have been identified by using virological and serological methods.The role of these birds in the epidemiology and incidence in domestic and wild of duck plague have been estimated (Ziedler and Hlinak). There was clear evidence that the most certain source of infection was DPV- carrier and American black duck. These birds entered through the major flyways (Kidd and Converse, 2001). This conclusion was reached after the major epizootic of duck plague in wild waterfowl in the US way back in 1973. It has also been found out that the convalescent migrants are the silent carriers for DPV control in poultry. Measures to minimize the spread of the disease should include bio-security, decontamination of the environment and eradication of affected flocks (Pearson and Cassidy, 1997; Converse and Kidd, 2001). Egg drop syndrome virus (EDSV) The EDSV is a vertically transmitted disease in poultry. It causes low egg production with high fragility of eggs. It also leads to substantial decrease in fertility and hatchability of the eggs. This virus (EDS-76) is classified under group III of the Adenoviridae. The disease is usually common in layer chickens. Ducks and geese are thought to be the natural hosts for the virus (McFerran and Adair, 2003). Migratory ducks, egrets, gulls, grebes and wild geese have been found to have been found to have antibodies against this virus (Malkinson and Weisman, 2003; Kaleta et al., 1985). Migratory anseriforms is thought to be disseminating EDSV. The sporadic infections in poultry can be connected to the spread of the disease from wild ducks and geese to domestic flock. The spread can be through sharing of drinking water which has been contaminated with droppings of infected birds. These droppings pollute the water thus making it a source for breeding of the virus (Hubalek, 2004; McFerran a nd Adair, 2003). Psteurella multocida P. multocida is a bacterium that has bipolar staining feature. It is the entiological agent of avian or fowl cholera. The disease is highly significant and economically important and causes mortality which is significant in both domestic and wild birds (Wobeser, 1997; Hubalek, 1994; Dash et al., 2004). Avian cholera spreads rapidly through waterfowls. It is known as a disease with carrier status. The disease is very prevalent among the ducks and turkeys followed by chicken are more susceptible. The disease generally spreads faster among the young ones (Glison et al., 2003). About 70,000 migratory ducks and geese were reported to have succumbed to the infection during the US outbreaks in 1979 (Brand, 1984). The dense bird aggregation due to the nature of waterfowls being gregarious, prompts the outbreaks of AC. The bacteriumà ¢Ãƒ ¢Ã¢â‚¬Å¡Ã‚ ¬Ãƒ ¢Ã¢â‚¬Å¾Ã‚ ¢s ability to survive in water for a long period of up to several weeks is high. These aspects enhance the chances of rapidity and the extent of disease spread (Botzler, 1991; Glisson et al., 2003).Those birds that survive during the outbreaks and thus recover have been reported to be long-term carriers of the infectious agents. These birds later help in dissemination of the agent to various distant wetland locations. Free ranging wild birds have also been infected with the bacterium though the greatest magnitude of losses is experienced by the death of waterfowls (Hunter and Wobeser, 1997; Glisson et al., 2003). Chlamydophila psittaci The disease (chlamydiosis) is caused by an obligate intracellular bacterium called C. psittaci. It is a contagious disease of pet birds and poultry having zoonotic implications. It is also considered as a List B disease in parrots, parakeets and humans (A ndersen and Vanrompay, 2000). Chlamydiosis affects all types of poultry and is usually systematic though occasionally fatal. The disease is often transmitted by inhalation or even ingestion of infectious fecal dust. Birds like wild ducks, egrets, sparrows, grackles, gulls other bird species have a significant reservoir of the bacteria that can spread the disease. This can be through direct contact or infectious aerosols to a variety of vertebrates including human beings and poultry (Grimes et al., 1979; Page, 1976; Kaleta and Taday, 2003; Brand, 1989; Andersen and Vanrompay, 2000). Research has shown that some chlamydial strains which are not pathogenic to migratory avian hosts are highly virulent for humans and domestic fowls. Suggestions have been made that grackles and thus migratory birds are potential reservoir hosts which can play an important role in the transmission of cycle of the bacterium C. psittaci in nature (Roberts and Grimes, 1978). The mechanisms by which the bacteria is introduced in domestic flock is clearly not understood. This is mysterious because wild birds are also infected by the same strains as domestic flock (Andersen and Vanrompay, 2000). This calls for an enhancement in the surveillance and screening in order to find the role of wild birds in the epidemiology of infection in domestic birds (Schwarzova et al., 2006). Other pathogens caused by migratory birds Wild or migratory birds also aid in the transmission of other types of pathogens in animals as well as human beings. There are various animal diseases that are a resultant of the interaction between them and the migratory birds. In the ecological system, living things always interact in order to create a balance. During this time, birds that are infected or carriers of bacteria get to interact with other living things. In the process, they make the environment contaminated and thus high risk of these animals contracting diseases. For example, birds and other animals may share drinking water. If these birds are infected, they pass on the virus into the water thus making it contaminated. As the animal drink the water, they ingest bacteria and thus contract diseases. Human beings may use these animals as food. Being that the flesh is contaminated, they automatically get the bacteria or virus into their systems. Through this channel, both the animals and human beings contract diseases. T he main source of the infection is the bird. There are a number of infections that are transmitted by birds to other animals. Among them include West Nile Fever (WNF). This is a Flavivirus belonging to family flaviviridae. It is a mosquito-borne virus which can result in fatal encephalitis in human beings. The effect can also be on equines and avian species (Hubalek and Halouzka, 1999; Komar, 2000; Rappole and Hubalek, 2000). This disease is maintained in a cycle of epizoonic transmission between mosquitoes and birds. Human and horses are the incidental hosts in this case. The migratory birds are central to the epidemiology of WNV infections. This is because they are considered as the main amplifying hosts in the transmission process (Reed et al., 2003). Migratory birds also play a crucial role in the dissemination of zoonotic and enteropathogenic bacteria that cause other infections in animals. For example, wild birds aid in the spread of Campylobacter and Salmonella. The incidence of infections in human beings by Campylobacter jejuni is on a continuous rise. The disease proves to be fatal at some acute stages and thus has led to the deaths of many. From research, it has been proved that the main transmitters of the bacteria are wild birds. The disease is usually rampant in places characterized with high humidity and high temperatures. Research is still on to establish whether there are other transmitters apart from wild birds (Sacks et al,. 1986; Tomar et al., 2006). The contamination of the surface water with the bacteria is largely attributed to aquatic and wild birds. Likewise, in the case of Salmonella infections, remnants of S. enteric (Typhimurium and Enteritidis) have been isolated from many species of birds. These birds include gulls, ducks, terns, finches and sparrows. Research has confirmed that migratory birds are involved in the dissemination of these bacteria.

About Shakespeare Essay

Hamlet is Shakespeare’s longest and most tragic play. It was first published in 1603, from a draft published several years earlier. The play begins two months after the death of King Hamlet of Denmark. The country is in a state of unrest. Young Fortinbras of Norway is preparing for war. After the King’s death, his brother Claudius takes over the throne, and marries the widowed Queen Gertrude. Young Hamlet, the late king’s son is incensed. He is told by the ghost of his father, that Claudius had poisoned him, to become the King of Denmark. Hamlet starts acting like a madman rousing concern. Polonius, an advisor to King Claudius is also worried by Hamlet’s strange â€Å"transformation. † The two, along with Queen Gertrude instruct Rosencrantz and Guildenstern, Hamlet’s childhood friends to spy on him. Hamlet is also increasingly hostile towards his love, Ophelia, Polonius’ daughter. Out of fear, the King orders Hamlet to be sent to England. King Claudius and Polonius both feel that Hamlet is dangerous. To ensure who the culprit was, Hamlet cleverly changes the lines in a play which is performed before the king and the queen. See more: Is the Importance of being earnest a satirical play essay The King’s reaction convinces Hamlet that it was indeed he who poisoned his father. Alone, King Claudius reveals his crime, and confesses that he cannot escape divine judgment. After the play, Queen Gertrude scolds her son, but he instead scolds his mother for her wrong actions. Polonius is spying on the two, from behind a curtain. Hamlet hears Polonius, and kills him thinking he is Claudius. Anxious and scared, the king orders Hamlet to be sent to England, along with Rosencrantz and Guildenstern. The King wants Hamlet killed as soon as he arrives in England. Hamlet had the spies Rosencrantz and Guildenstern put to death instead. Meanwhile, Young Fortinbras has brought his army to Denmark. Hamlet admires Young Fortinbras, for his courage to fight for honor. The death of Polonius has a profound impact on Ophelia, who in her depression and apathy kills herself by drowning. Laertes, Polonius’ son is enraged. The king tells him that it was Hamlet who murdered Polonius. The two decide to get rid of Hamlet, their common enemy. Claudius and Laertes arrange a duel, in which Laertes will fight Hamlet. To ensure Hamlet’s death, Laertes poisons the tip of his sword. In the course of the duel, Laertes, Hamlet and the King are poisoned by the same sword. Queen Gertrude drinks a poisoned drink meant for Hamlet, and is killed. Dying, Hamlet tells Horatio to tell the world of his story and recommends Young Fortinbras the next king of Denmark. Hamlet – Prince of Denmark is a play that deals with the main subjects of honor, revenge and suicide. Hamlet is not our typical hero. Born in a royal family, he is a refined young man with noble attributes, but he has his weaknesses. After his father’s murder, he is driven mad by anger when his mother marries Claudius. His love for Ophelia too turned into a strange confusion and mix of emotions. He distrusts all those around him, and starts dwelling in a melancholy state of mind. Even those he thought were his friends turn out to be spies sent by the king and queen. This also explain Hamlets â€Å"insanity† to a great extent. But even so, Hamlet is a disturbed individual. The way he treats Ophelia is obvious evidence. He is cruel to her, in spite of her efforts to try and understand him. He is also impulsive – he kills Polonius without thinking twice. Justice and revenge form major themes of the play, with Claudius, at the Head of a country, having killed his own brother, and Hamlet, avenging his father’s death. Suicide also forms an essential theme in the play. Ophelia kills herself by drowning. Hamlet too is prompted to kill himself. † But should he, or not; â€Å"To be or not to be, that is the question. † Shakespeare portrays all the characters with great ingenuity. He analyses human psyche, and how eventually, everyone’s destiny is controlled by fate. References: About Shakespeare, Hamlet Study Guide, http://absoluteshakespeare. com/guides/hamlet/hamlet. htm

Persuasive Speech on Bermuda Triangle

Bermuda Triangle The Greatest Mystery the Ocean Hides Bermuda Triangle, or the Devil’s Triangle, is one of the most mysterious regions of the Earth. The patch of the Atlantic Ocean, allegedly triangular in shape, has been blamed for an unusual number of mysterious incidents, generally – disappearances and discoveries of ships deserted by their crews. There is a great many theories explaining it, ranging from unusual natural phenomena (e.g., magnetic abnormalities or uncharted oceanic streams) to gateways to parallel universes and activities of extraterrestrial creatures. Some people even state that it is one of the alleged Vile Vortices, twelve roughly evenly placed regions of the Earth characterized by paranormal happenings, the most well known being the Bermuda Triangle itself, and the Devil’s Sea near the coast of Japan. However, the majority of scientists state that the matter is very much exaggerated and the Triangle is no more mysterious than any other part of the World Ocean. The most notable occurrence in the Triangle is the so-called Flight 19 – the training flight of five American TBM Avengers, which went mysteriously wrong and led to all of them being lost, as well as the rescue Mariner aircraft sent after them. The hypotheses concerning it again vary wildly, which is not made easier by the fact that there are a lot of so-called apocryphal versions of radio transmissions recorded after the flight, some of them featuring â€Å"white waters†, aliens, ghosts and so on. However, even without all of this, the incident is very strange. It is hard to say, whether there is any

Harriet Beecher Stowe Is One Of The Most Influential Writers

Harriet Beecher Stowe is one of the most influential writers from the 19th century. â€Å"Uncle Tom’s Cabin† brings up many ideals about history and culture. Stowe supports ideals of American exceptionalism such as slavery, christianity, and equality through earlier periods in American history. American identity has been created and explored in literature ranging from the days of the conquistadores and the early settlers to the middle of the nineteenth century. White Americans have had greater opportunities than anyone else since the beginning of time. This may seem racist, but it is the truth. In â€Å"Uncle Tom’s Cabin,† the slave owners were all white. The slaves were African American. African-Americans weren’t allowed to own property, have their†¦show more content†¦He wanted to show his authority and how he was superior to the natives. The natives were forced into slavery and made to do whatever their captors told them.This reflects ba ck to Stowe’s novel. In â€Å"Uncle Tom’s Cabin,† the slaves, like the natives, did not have any choices. African-Americans did not get to choose slavery or not, they were born into it. The only way an African-American could be free is if he or she was born in a state or territory where slavery was banned or if they got papers saying they were a free man, which was rare. Slaves were often hunted down if they ran away. Slave owners rarely treated their slaves decently, just because they did not believe they deserved the same quality of life as them. The slaves were sold like cattle. The slaveowners would take the slaves and put on a show to buy or sell their slaves. They demoralized them, only because their skin color was different. Just like how Christopher Columbus treated the natives, slaves were often beaten if they did not cooperate. In Uncle Tom’s Cabin, Tom is whipped out of frustration for his unbreakable belief in God. The theme of these two incid ents is that Columbus and the Americans believed they were better than the natives or the slaves. This is just one example of how Stowe supported ideals of American exceptionalism from earlier period in American literature. In â€Å"Uncle Tom’s Cabin,† christianity and faith are an important themes. Stowe was a committed christian woman. Her bookShow MoreRelatedHarriet Beecher Stowe: The Eyes Behind Slavery1640 Words   |  7 PagesHarriet Beecher Stowe: The Eyes Behind Slavery Harriet Beecher Stowe became one of the most famous writers, reformers, and abolitionist women of the 1800s in large part due to her most effective selling fictional book, Uncle Toms Cabin. The image of brutal whippings, rape, and the splitting of families broke down the hearts of people in the eighteenth century. Her writing influenced thousands to become a great phenomenon, take a stand, and change the world. Harriet Beecher Stowe lived much ofRead MoreThe Literary Work of Harriet Beecher Stowe579 Words   |  2 Pagesin silence.† ( Stowe 30). Harriet Beecher Stowe (1811-1896) was the most popular American writer of the 19th century. Her use of literary realism merges with the writings of Howells, Twain, and Crane (Reuben). Harriet Beecher Stowe’s writings were influenced by her religious and moral beliefs. She left a long lasting impact on the American Renaissance time period due to her puritan style of writing. Stowe was born in Litchfield, Connecticut in 1811. Her mother, Roxana Foote Beecher, was a well-educatedRead MoreDouglas vs Stowe1650 Words   |  7 PagesWar, America was plagued with a complicated social quandary that incorporated individual, societal, political, economic, and religious principles. Its authorship includes Frederick Douglass and Harriet Beecher Stowe who dually challenges the legitimacy of slavery in their literature. 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Personal stories are simply pathways authors use to relate towards readers, or to change their minds on a specified subject. Sometimes, these personal stories reach out to their own kind of people. Or it criticizes everyone for holding a blind eye towards anRead MoreEssay Racism In Uncle Toms Cabin, by Harriet Beecher Stowe1569 Words   |  7 PagesHarriet Beecher Stowes novel Uncle Toms Cabin was the defining piece of the time in which it was written. The book opened eyes in both the North and South to the cruelties that occurred in all forms of slavery, and held back nothing in exposing the complicity of non-slaveholders in the upholding of Americas peculiar institution. Then-president Abraham Lincoln himself attributed Stowes narrative to being a cause of the Americ an Civil War. 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The inspiration of the novel is an autobiography by Joseph Henson, a former slave who had escaped to Canada. The plot revolves around a black slave, known as Uncle Tom, and the people around him, it